14 (not the most famous No. 1 at an excruciatingly slow pace. The easiest way to discuss Liszts pieces are to divide them into categories, which are the following: Etudes Hungarian Dance No. Egon Petri and John Ogdon have some tremendous recordings but some wild misses. Sure, it has challenges, namely repeated notes, fast scales/octave passages, as well as double-note passages and leaps. .c_dVyWK3BXRxSN3ULLJ_t{border-radius:4px 4px 0 0;height:34px;left:0;position:absolute;right:0;top:0}._1OQL3FCA9BfgI57ghHHgV3{-ms-flex-align:center;align-items:center;display:-ms-flexbox;display:flex;-ms-flex-pack:start;justify-content:flex-start;margin-top:32px}._1OQL3FCA9BfgI57ghHHgV3 ._33jgwegeMTJ-FJaaHMeOjV{border-radius:9001px;height:32px;width:32px}._1OQL3FCA9BfgI57ghHHgV3 ._1wQQNkVR4qNpQCzA19X4B6{height:16px;margin-left:8px;width:200px}._39IvqNe6cqNVXcMFxFWFxx{display:-ms-flexbox;display:flex;margin:12px 0}._39IvqNe6cqNVXcMFxFWFxx ._29TSdL_ZMpyzfQ_bfdcBSc{-ms-flex:1;flex:1}._39IvqNe6cqNVXcMFxFWFxx .JEV9fXVlt_7DgH-zLepBH{height:18px;width:50px}._39IvqNe6cqNVXcMFxFWFxx ._3YCOmnWpGeRBW_Psd5WMPR{height:12px;margin-top:4px;width:60px}._2iO5zt81CSiYhWRF9WylyN{height:18px;margin-bottom:4px}._2iO5zt81CSiYhWRF9WylyN._2E9u5XvlGwlpnzki78vasG{width:230px}._2iO5zt81CSiYhWRF9WylyN.fDElwzn43eJToKzSCkejE{width:100%}._2iO5zt81CSiYhWRF9WylyN._2kNB7LAYYqYdyS85f8pqfi{width:250px}._2iO5zt81CSiYhWRF9WylyN._1XmngqAPKZO_1lDBwcQrR7{width:120px}._3XbVvl-zJDbcDeEdSgxV4_{border-radius:4px;height:32px;margin-top:16px;width:100%}._2hgXdc8jVQaXYAXvnqEyED{animation:_3XkHjK4wMgxtjzC1TvoXrb 1.5s ease infinite;background:linear-gradient(90deg,var(--newCommunityTheme-field),var(--newCommunityTheme-inactive),var(--newCommunityTheme-field));background-size:200%}._1KWSZXqSM_BLhBzkPyJFGR{background-color:var(--newCommunityTheme-widgetColors-sidebarWidgetBackgroundColor);border-radius:4px;padding:12px;position:relative;width:auto} . 15 (Horowitz version) and it is both very impressive and extremely eary compared to the No. But its all too common that pianists do not bother recording the entire Annees, for example, or even all of the Paganini etudes (many just stick with La Campanella). Contribute to chinapedia/wikipedia.en development by creating an account on GitHub. Press question mark to learn the rest of the keyboard shortcuts, https://imslp.org/wiki/Illustrations_de_l%27opra_L%27Africaine,_S.415_(Liszt,_Franz), Etude S.137/5, Feux Follets S.139/5, Etude S.140/4, Etude S.140/6, Spanish Fantasy S.253, Spanish Song-book S.695c, Rminiscences des Puritains S.390/1, Rminiscences de Lucrezia Borgia S.400, Rminiscences des Huguenots S.412/3, Rminiscences de Robert le diable S.413, Rminiscences de Don Juan S.418, Fantasy on La clochette S.420, Tannhauser Overture S.442, Beethoven Symphony S.464/6, Symphonie Fantastique S.470, Fantasy on Don Giovanni and Figaro S.697, Etude S.137/4, Etude S.137/12, Mazeppa S.138, Mazeppa S.139/4, Chasse Neige S.139/12, Etude S.140/3, Etude S.140/4a, Scherzo und Marsch S.177, Sonata in B Minor S.178, Galop S.218, Rondo Fantastique S.252, Fantasy on La Sonnambula S.393/1, Rminiscences de La juive S.409a, Fantasy on Niobe S.419, Rminiscences de La Scala S.458, Beethoven Symphony S.464/1, Beethoven Symphony S.464/2, Beethoven Symphony S.464/3, Beethoven Symphony S.464/4, Beethoven Symphony S.464/5, Beethoven Symphony S.464/8, Totentanz S.525, Etude S.137/7, Etude S.137/8, Etude S.137/10, Etude S.141/3, Etude S.141/6, Dante Sonata S.161/7, Variations on Bach S.180, Sarabande and Chaconne on Handel S.181, La Tyrolienne fantasy S.385/2, Turkish Capriccio on Beethoven S.388, Rminiscences de Norma S.394, Fantasy on Soires musicales S.422/2, Fantasy on Der Freischtz S.451, Mephisto Waltz S.514, Danse Macabre S.555, Erlknig S.558/4, Etude S.137/2, Eroica S.139/7, Wilde Jagd S.139/8, Etude S.140/1, Etude S.140/2, Orage S.160/5, Tarantella S.162/3, Ballade S.170/2, Legend S.175/2, Grosses Konzertsolo S.176, Grand Galop Chromatique S.219, Hungarian Rhapsody S.244/1, Hungarian Rhapsody S.244/2, Hungarian Rhapsody S.244/6, Hungarian Rhapsody S.244/9, Hungarian Rhapsody S.244/10, Hungarian Rhapsody S.244/13, Hungarian Rhapsody S.244/14, Hungarian Rhapsody S.244/15, Hungarian Rhapsody S.244/19, Spanish Rhapsody S.254, Tarantella di Bravura S.386, Rminiscences de Lucia di Lammermoor S.397, Valse de Faust S.407, Il galop S.411/2, La serenata del marinaro S.411/4, Il brindisi S.411/5, La zingarella spagnuola S.411/6, Miserere du Trovatore S.433, Rigoletto Paraphrase S.434, Finale de Don Carlos S.435, Rminiscences de Boccanegra S.438, Fantasy on Rienzi S.439, William Tell Overture S.552, Mephisto Waltz S.515, Les morts S.112/1, Etude S.136/8, Etude S.136/10, Etude S.137/6, Etude S.137/9, Etude S.137/11 , Fuses S.139/2, Appassionata S.139/10, Harmonies du Soir S.139/11, Etude S.140/5, Etude S.141/1, Etude S.141/2, Morceau de salon S.142, Ab Irato S.143, Gnomenreigen S.145, Apparition S.155/2, Apparition S.155/3, Valle d'Obermann S.160/6, Sposalizio S.161/1, Gondoliera S.162/1, Ballade S.170/1, Bndiction de Dieu dans la solitude S.173/3, Funrailles S.173/7, Berceuse S.174/2, Legend S.175/1, Hungarian Rhapsody S.244/7, Hungarian Rhapsody S.244/8, Hungarian Rhapsody S.244/11, Hungarian Rhapsody S.244/16, Ballade d'Ukrane S.249/1, Solovei "Le rossignol" S.250/1, Chanson bohmienne S.250/2, Barcajuolo S.399/1, La torre di Biasone S.399/3, Liebestraum S.541/1, Auf dem Wasser zu singen S.558/2, Die junge Nonne S.558/6, Gretchen am Spinnrade S.558/8, Stndchen S.558/9, Der Wanderer S.558/11, Ave Maria S.558/12, 6: Advanced (Beethoven Pathetique Sonata), La notte S.112/2, Le triomphe funbre du Tasse S.112/3, Etude S.136/5, Etude S.136/11, Etude S.137/1, Preludio S.139/1, Vision S.139/6, Ricordanza S.139/9, La Leggierezza S.144/2, Un Sospiro S.144/3, Waldesrauschen S.145, Apparition S.155/1, Au bord d'une source S.160/4, Les jeux d'eaux la Villa d'Este S.163/4, Invocation S.173/1, Pense des morts S.173/4, Miserere d'aprs Palestrina S.173/8, Cantique d'Amour S.173/10, Bach Prludium Weinen Klagen Sorgen Zagen S.179, Toccata S.197a, Mephisto Waltz S.216, Galop de bal S.220, Csrds S.225/2, Hungarian Rhapsody S.244/4, Hungarian Rhapsody S.244/17, Hungarian Rhapsody S.244/18, Mlodies polonaises S.249/2, L'ide fixe S.395, L'alito di bice S.399/2, La primavera S.411/1, Il pastore svizzero S.411/3, Valse de concert S.430, Elsas Brautzug zum Mnster S.445/2, Les morts S.516, Sei mir gegrsst S.558/1, Frhlingsglaube S.558/7, Rastlose Liebe S.558/10, Stndchen S.560/7, Widmung S.566a, Etude S.136/1, Etude S.136/2, Etude S.136/4, Etude S.136/6, Etude S.136/9, Etude S.136/12, Etude S.137/3, Etude S.141/4, Etude S.141/5, Il Lamento S.144/2, Le mal du pays S.160/8, Les cloches de Genve S.160/9, Canzone S.162/2, Marche Funbre S.163/6, Sursum corda S.163/7, Consolation S.172/6, Andante lagrimoso S.173/9, Die Glocken von Rom S.182, Schlaflos! Hungarian Rhapsody No.7 in D minor. 2 in C-Sharp Minor, the second and most famous of the 19 Hungarian Rhapsodies composed for piano by Franz Liszt between 1846-53. .FIYolDqalszTnjjNfThfT{max-width:256px;white-space:normal;text-align:center} Nope. .s5ap8yh1b4ZfwxvHizW3f{color:var(--newCommunityTheme-metaText);padding-top:5px}.s5ap8yh1b4ZfwxvHizW3f._19JhaP1slDQqu2XgT3vVS0{color:#ea0027} Hymne de lenfant a son reveil (Henle level 5/6). There is now a 64-bit version of Rational Rhapsody Architect for Software. Emil von Sauer, Gregory Ginsburg, Ferruccio Busoni, and Moriz Rosenthal are must haves for their representation of the 19th Century. ._1LHxa-yaHJwrPK8kuyv_Y4{width:100%}._1LHxa-yaHJwrPK8kuyv_Y4:hover ._31L3r0EWsU0weoMZvEJcUA{display:none}._1LHxa-yaHJwrPK8kuyv_Y4 ._31L3r0EWsU0weoMZvEJcUA,._1LHxa-yaHJwrPK8kuyv_Y4:hover ._11Zy7Yp4S1ZArNqhUQ0jZW{display:block}._1LHxa-yaHJwrPK8kuyv_Y4 ._11Zy7Yp4S1ZArNqhUQ0jZW{display:none} Lang Lang is, to nobodys surprise, right at home with the Hungarian Rhapsodies. Hungarian Rhapsody No. His ability to play the sheer number of notes that he did, at such speed and with such precision, amazed all who heard him. Of some consolation to us commonfolk trying to learn Liszts music are his Consolations (S. 172). Software Architect in 64-bit version of Rhapsody. If you have never touched the piano it might take you 10-15 years. ._2Gt13AX94UlLxkluAMsZqP{background-position:50%;background-repeat:no-repeat;background-size:contain;position:relative;display:inline-block} I have something to say about almost all of the pianists you mentioned but since I talk to Idil Biret very often and have even played for her, I wanted to make a comment about her. I didn't see it on your list, but I'd imagine it's about a 7. Priere aux anges gardiens (Henle 4), Pilgrimage book 2: Il Penseroso (Henle 4/5) 6 in D-Flat Major 00:54:25 Franz Liszt: No. Franz Liszt (Hungarian: Liszt Ferenc) (October 22, 1811 ? I took a long break from piano and am back to it, and someone told me about Henle ratings and how Rhapsody #2 is an 8, and I was like no way, that thing is impossible. At the end of this video, well do a summary of the easiest pieces. Years of pilgrimage (Read all) Source : Wikipedia Free scores: Boris Berezovsky and Daniil Trifonov also do well in them. Here are the downloads for many different ones by Liszt: I know there really arent any easy Liszt pieces, but hopefully this list gets you started if youre an intermediate or advanced-level student. /*# sourceMappingURL=https://www.redditstatic.com/desktop2x/chunkCSS/TopicLinksContainer.3b33fc17a17cec1345d4_.css.map*/On another note, I actually had a one on one dinner with Goran and he said that he implemented certain parts from Busoni while playing the Paganini Etudes, which added a lot of bravura to his performance. Ths only reason 6 is hard is if you can't manage the octaves, apart from that it's fairly do-able. Liszt transcribed ALL of his symphonies, even the last movement of the ninth. Im on mobile Im not sure I can access it but perhaps you can help me :) is Un Sospiro on this list and which level would it be in? -The later Hungarian Rhapsodies, 17,18,19 -Consolations -Liebestraumes -Un Sospiro - Three Petrarch Sonnets - The more difficult works from the poetic and religious harmonies, like Invocation, or Funerailles. seemingly without difficulty but with plenty of instinctive passion and sparkling bravura. Item Number: HL.50260160 9x12 inches. Copyright Op 111 Productions, 2001-2022. He is said to have been the most technically advanced and perhaps greatest pianist of all time. 2 in C-Sharp Minor, the second and most famous of the 19 Hungarian Rhapsodies composed for piano by Franz Liszt between 1846-53. That dude is a god, there are so many pieces where his interpretations are my favorite Ive heard. Hungarian Rhapsody No.3 in B-flat major. The first part of the rhapsody is an introduction (Tempo . The composer skilfully incorporated a number of effects unique to Roma bands into the piano sound, especially the twanging of the cimbalom. Ill be using two grading systems to evaluate the difficulties of these pieces the Royal Conservatory of Music (RCM), and Henle. Gyorgy Cziffra is considered by many (myself included) to be the definitive Liszt pianist but some people may take issue with the fact that he routinely rewrote many passages of the pieces he played. Its worth checking out. The remainder of his Hungarian tunes are the various Hungarian Rhapsodies, which are some of the highest level pieces out there. Pizarro has already made many very well-received recordings for several prominent labels.Pizarro is renowned for his lyrical poeticism and outstanding virtuosity which makes him an ideal performer of Liszts music. 10pm - 1am, Titanic - An Ocean of Memories Liszts Five Hungarian Folk Songs (S. 245) are doable for the advancing student at around level 8, but still not remotely easy. In their original piano form, the Hungarian Rhapsodies are noted for their difficulty (Liszt was a virtuoso pianist as well as a composer). Consolations Yuja Wang has (surprisingly) not recorded that much Liszt but some of what she has done is very good. Pilgrimage book 2: Canzonetta del Salvator Rosa (Henle 5/6) Where I disagree with her interpretations the most is exactly what you point to: a tendency to slow down of the tempo that can be extremely frustrating and which to my mind does not reveal nuances of importance. 5 in E minor, S.244 (Herbert von Karajan) : Free Download, Borrow, and Streaming : Internet Archive Franz Liszt - Hungarian Rhapsody no. 2 or Leibestraum is rooted in emotion, nostalgia, personal experiences, etc. Pilgrimage book 3: Marche funebre (Henle 5) (No pun intended). And the beautiful and monstrous B Minor Sonata is rife with not only virtuosity but moments of deep intimacy. I did an analysis video on these a while back, so check that out if youd like to get into more depth on these. The Transcendental Etudes are a must, of course, along with the B-Minor Sonata. In their original piano form, the Hungarian Rhapsodies are noted for their difficulty (Liszt was a virtuoso pianist as well as a . He even has a thesis on Liszt and the Grand Style, so I think hes not only a great performer but a great scholar as well. 10 in E Major 01:25:12 Franz Liszt: No. Could you do Ravel next, please? Smooth Classics with Myleene Klass In 1882 he made a piano duet arrangement of No. He is widely considered one of the greatest pianists. Ave Maria (Henle level 5) Liszts Liebestraume are great! I saw Maksim Mvirca's Hungarian Rhapsody 2. ._38lwnrIpIyqxDfAF1iwhcV{background-color:var(--newCommunityTheme-widgetColors-lineColor);border:none;height:1px;margin:16px 0}._37coyt0h8ryIQubA7RHmUc{margin-top:12px;padding-top:12px}._2XJvPvYIEYtcS4ORsDXwa3,._2Vkdik1Q8k0lBEhhA_lRKE,.icon._2Vkdik1Q8k0lBEhhA_lRKE{border-radius:100%;box-sizing:border-box;-ms-flex:none;flex:none;margin-right:8px}._2Vkdik1Q8k0lBEhhA_lRKE,.icon._2Vkdik1Q8k0lBEhhA_lRKE{background-position:50%;background-repeat:no-repeat;background-size:100%;height:54px;width:54px;font-size:54px;line-height:54px}._2Vkdik1Q8k0lBEhhA_lRKE._1uo2TG25LvAJS3bl-u72J4,.icon._2Vkdik1Q8k0lBEhhA_lRKE._1uo2TG25LvAJS3bl-u72J4{filter:blur()}.eGjjbHtkgFc-SYka3LM3M,.icon.eGjjbHtkgFc-SYka3LM3M{border-radius:100%;box-sizing:border-box;-ms-flex:none;flex:none;margin-right:8px;background-position:50%;background-repeat:no-repeat;background-size:100%;height:36px;width:36px}.eGjjbHtkgFc-SYka3LM3M._1uo2TG25LvAJS3bl-u72J4,.icon.eGjjbHtkgFc-SYka3LM3M._1uo2TG25LvAJS3bl-u72J4{filter:blur()}._3nzVPnRRnrls4DOXO_I0fn{margin:auto 0 auto auto;padding-top:10px;vertical-align:middle}._3nzVPnRRnrls4DOXO_I0fn ._1LAmcxBaaqShJsi8RNT-Vp i{color:unset}._2bWoGvMqVhMWwhp4Pgt4LP{margin:16px 0;font-size:12px;font-weight:400;line-height:16px}.icon.tWeTbHFf02PguTEonwJD0{margin-right:4px;vertical-align:top}._2AbGMsrZJPHrLm9e-oyW1E{width:180px;text-align:center}.icon._1cB7-TWJtfCxXAqqeyVb2q{cursor:pointer;margin-left:6px;height:14px;fill:#dadada;font-size:12px;vertical-align:middle}.hpxKmfWP2ZiwdKaWpefMn{background-color:var(--newCommunityTheme-active);background-size:cover;background-image:var(--newCommunityTheme-banner-backgroundImage);background-position-y:center;background-position-x:center;background-repeat:no-repeat;border-radius:3px 3px 0 0;height:34px;margin:-12px -12px 10px}._20Kb6TX_CdnePoT8iEsls6{-ms-flex-align:center;align-items:center;display:-ms-flexbox;display:flex;margin-bottom:8px}._20Kb6TX_CdnePoT8iEsls6>*{display:inline-block;vertical-align:middle}.t9oUK2WY0d28lhLAh3N5q{margin-top:-23px}._2KqgQ5WzoQRJqjjoznu22o{display:inline-block;-ms-flex-negative:0;flex-shrink:0;position:relative}._2D7eYuDY6cYGtybECmsxvE{-ms-flex:1 1 auto;flex:1 1 auto;overflow:hidden;text-overflow:ellipsis}._2D7eYuDY6cYGtybECmsxvE:hover{text-decoration:underline}._19bCWnxeTjqzBElWZfIlJb{font-size:16px;font-weight:500;line-height:20px;display:inline-block}._2TC7AdkcuxFIFKRO_VWis8{margin-left:10px;margin-top:30px}._2TC7AdkcuxFIFKRO_VWis8._35WVFxUni5zeFkPk7O4iiB{margin-top:35px}._1LAmcxBaaqShJsi8RNT-Vp{padding:0 2px 0 4px;vertical-align:middle}._2BY2-wxSbNFYqAy98jWyTC{margin-top:10px}._3sGbDVmLJd_8OV8Kfl7dVv{font-family:Noto Sans,Arial,sans-serif;font-size:14px;font-weight:400;line-height:21px;margin-top:8px;word-wrap:break-word}._1qiHDKK74j6hUNxM0p9ZIp{margin-top:12px}.Jy6FIGP1NvWbVjQZN7FHA,._326PJFFRv8chYfOlaEYmGt,._1eMniuqQCoYf3kOpyx83Jj,._1cDoUuVvel5B1n5wa3K507{-ms-flex-pack:center;justify-content:center;margin-top:12px;width:100%}._1eMniuqQCoYf3kOpyx83Jj{margin-bottom:8px}._2_w8DCFR-DCxgxlP1SGNq5{margin-right:4px;vertical-align:middle}._1aS-wQ7rpbcxKT0d5kjrbh{border-radius:4px;display:inline-block;padding:4px}._2cn386lOe1A_DTmBUA-qSM{border-top:1px solid var(--newCommunityTheme-widgetColors-lineColor);margin-top:10px}._2Zdkj7cQEO3zSGHGK2XnZv{display:inline-block}.wzFxUZxKK8HkWiEhs0tyE{font-size:12px;font-weight:700;line-height:16px;color:var(--newCommunityTheme-button);cursor:pointer;text-align:left;margin-top:2px}._3R24jLERJTaoRbM_vYd9v0._3R24jLERJTaoRbM_vYd9v0._3R24jLERJTaoRbM_vYd9v0{display:none}.yobE-ux_T1smVDcFMMKFv{font-size:16px;font-weight:500;line-height:20px}._1vPW2g721nsu89X6ojahiX{margin-top:12px}._pTJqhLm_UAXS5SZtLPKd{text-transform:none} The Rhapsodies are based on Hungarian folk themes and, in their original piano form, are. 9 in E-Flat Major, Pesther Carneval01:19:02 Franz Liszt: No.
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